Two brothers, down on their luck, fake a disappearance in the Alaskan wilderness so they’ll have a great survival story to sell, but the hoax turns out to be more real than they planned.
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Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner named Rashid, comes to the station needing a spark plug for a stolen Moped. He and Lambert connect somehow, and a few days later, they go for a drink. The young man is too cavalier, and when he swipes Rashid’s fancy motorcycle a couple of times, he’s expendable. Lambert decides to avenge the young man and seeks information from Lola, a punk who knew Bensoussan. With surprising perseverance, she pierces Lambert’s shell; he starts to feel again, tells Lola his story, and finds new enthusiasm for life.
The Postables work against the clock decoding a letter to rescue a soldier in Afghanistan and reunite her with her family, while Rita competes for the national Miss Special Delivery title in Washington, D.C.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.